COH Meets Abul Mogard COH Meets Abul Mogard

Fabled electronic music visionaries CoH and Abul Mogard forma supranatural alchemy of discrete analogue material and digital energies in their extraordinary debut for Houndstooth.

Stemming from a chance meeting at festival in 2019, CoH and Abul Mogard’s maiden collaboration focusses stunning new perspectives on the artist’s respective, fiercely singular and widely adored bodies of work.

Ivan Pavlov’s CoH, deeply respected for intensely curious original solo work, and in SoiSong with Psychic TV / Coil’s Peter Christophersen, here renders a vital, grayscale fluorescence from Guido Zen’s lushly romantic Buchla 200 and Serge Modular scapes, painted to tape between Stockholm’s EMS studio and at home, under his Abul Mogard nom de synth.

You read that correctly - this is the first Abul Mogard release to be disclosed as the work of Italian artist Guido Zen; the late 90s electronica pioneer known for work with Gamers In Exile and Goodiepal at the turn of the millennium, and more recently in kosmiche unit Brain Machine, plus its parallel club project Vactrol Park, and in trio with NWW dynamo Colin Potter and Alessio Natalizia (Not Waving).

As such, ‘CoH Meets Abul Mogard’ drops the veil of fictional pretence after a decade of speculation, only to reveal Mogard’s music at its most metaphysically powerful, its allusive majesty heightened and reified by CoH’s computer-based sorcery and allegorically encrypted in the hand-drawn peculiarity of the album artwork, licensed from Nick Blinko (owner of Outer Himalayan Records and co-founder of legendary deathrockcatalysts, Rudimentary Peni).

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